“The creation myth is fascinating but quite surreal,” Harakis says. Between them, one is the more obvious candidate for adaptation. From our modern, fragmented knowledge of Viking myth, two events overshadow all else: the Norse creation myth and end times. It has a universal appeal that crosses time and place, but is also a natural point of departure for storytellers studying Norse tales. He says the team at Ubisoft Sofia was drawn to the myth because it’s “a story of hope rising from the ashes of defeat”. The lead writer of Assassin’s Creed Valhalla: Dawn of Ragnarök, Alex Harakis, agrees. Ragnarök speaks to our fear of annihilation, whether through the destruction of the environment, nuclear weapons or cosmic disaster.
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